The Big Lebowski
3
There are many movies like this. I mean those movies which, upon their release, reach almost cult fandom. You'll find people out there who know every line, every action, and ever intricate part of the film. There will be fans of the movie who are so enthusiastic about it that they make Al Qaeda look like a bunch of casual believers who visit the mosque every other Friday. Finally, of course, you are engulfed with so much praise for the film that, out of mere peer pressure, you have to see the movie. And then, as the end credits roll, you lay back with a sigh and say to yourself...
"THAT was IT?!"
"The Big Lebowski" is a film about a lazy, casual man known as "the Dude" who happens to have the last name of a wealthy man named Lebowski. Having some thugs mistakenly attack him instead, and subsequently urinate on his carpet, Dude heads over to Lebowski's mansion to get a replacement rug. Acquiring a rug (rather cunningly) Dude is later recalled by Lebowski for an urgent manner: Lebowski's trophy wife has been kidnapped, and Dude is hired to deliver the money to the kidnappers.
What happens next is an episodic story in which Dude deals with the estranged friends and family of the kidnapped wife, as well as dealing with the often counterproductive help of his friends. There's the nihilist Germans who done the kidnapping, the crazy feminist daughter of Lebowski, and Dude's own unstable Vietnam veteran friend. The majority of the cast are competent in their roles: Jeff Bridges is fantastic as Lebowski, Steve Buscemi is nice as the under appreciated friend, and John Goodman does an excellent role as the somewhat cliche Vietnam vet. Goodman's role is constantly in danger of being typical (let's face it, the whacked out Vietnam vet shtick got tiring with Rambo), but the writers and Goodman manage to come up with some new material.
The problem with episodic stories is that they can either work when everything comes together at the end, or they can feel like a dragged out series of ministories - while many of the Coen Bros. films have fallen into the former group, "The Big Lebowski," unfortunately, falls into the latter. The main plot of the kidnapping becomes a bit vague, and as you're thrown into the ensemble cast it becomes even more so, and much of the film consists of just new characters being introduced. Unlike their later film "O Brother Where Art Thou," many of these characters serve no purpose: the private detective is the greatest offender, serving no purpose and not even presenting any laughs; the porn producer doesn't seem to do anything at all to the plot; and the character of pedophile bowler Jesus, while funny, introduces a subplot that never gets resolved and therefore gives the ending a bit of an unfinished feel. Sam Eliot, doing what Sam Eliot does best, comes in as a cowboy both at the beginning, middle and end to narrate the film. Because the plot drags on so much the film feels too long, and just as the main villains are defeated they taunt you even more with an extended scene involving a character's death. Midway through I was reminded of an episode of Mystery Science Theater 3000 where Tom Servo, flabbergasted by the slowness of the film's plot, turned to his costars and asked, "Shouldn't this be over?" When Sam Eliot appears at the end you're overjoyed to see him, and like seeing Christ descending from the clouds you'll happily say to yourself, "It is finished!"
Die-hard fans of "The Big Lebowski" should not jump to hasty conclusions about my opinion of the film - they're not entirely negative. "Lebowski" is actually a really funny film, and many of the characters, such as Goodman's Walter, are hysterical in their own rights. The Coen Bros. have their own brand of comedy, and while some people hate it I happen to love it. If pulling out a handgun because you want someone to mark down 0 for a bowling score doesn't make you laugh, then this probably isn't the film for you - but if it makes you laugh like it did me, then you'll find the film even a little bit fun. Likewise, Jeff Bridges portrayal of Dude and his delivery is so spot on that lines which would normally never get laughs give you laughs, and I credit Bridges with the fine job he did in the film.
"The Big Lebowski" is a funny comedy, and I would say it's worth a one-time viewing. Unfortunately, it's not the major classic that I've often heard people pontificate it was, and it shouldn't be viewed as "Duck Soup" for a new generation. The plot has plenty of room for coherency, and the length some room for trimming, but if you're bored and looking for something to pass the time with, this may be the film for you. Just don't try to disappoint yourself.